Lack of equipment is no excuse for not training. Anyone, at any
fitness level, can train with two things that are available to everyone
everywhere: the ground and your body.
Be creative in your
application of these movements. Practice them, and incorporate them into
workouts. They are an excellent as part of an active warm-up, done in
isolation for strength development, or built into metabolic conditioning
routines. Specific programming and repetition schemes will vary
depending on the fitness levels and goals of trainees.
Push-ups
Push-ups
can range in difficulty from very easy to so difficult that few people
can do them. Adjusting the difficulty level is simply a matter of
changing hand placement and body level to alter leverage and load.
Keeping the body upright and the hands in line with the shoulders scales
the pushup for people who are just beginning their fitness journey.
Placing the feet high and moving the hands lower, toward the hips,
increases the loads dramatically and can challenge world-class athletes.
Decline push-up
To
do push-ups with little or no resistance, start in a standing position,
arms-length from a wall. Extend the arms in front of you at shoulder
height to place your hands on the wall slightly wider than
shoulder-width. These push-ups (or, more literally, push-outs) are
appropriate for beginners and those who are rehabilitating injuries.
With the body almost completely vertical, these can be used to restore
and build mobility in the arms and shoulders, to teach the plank body
position, and to work toward a horizontal push-up on the floor. Even
with this simple movement it is important to keep a rigid body and full
range of motion (ROM). Each rep should bring the chest and face as close
as possible to the wall and finish with the arms completely straight
and the shoulders fully extended. The degree of difficulty can be
additionally fine tuned by adjusting the distance of the feet from the
wall. Obviously, the farther out they are - and the more acute the angle
of the body - the more difficult they will be.


Knee push-up
Knee
push-ups are another beginning push-up that starts flat on the ground,
with the body supported by the hands and the knees (rather than the
toes). Again, the body should be kept rigid and full ROM performed, with
the knees as the fulcrum of the movement. Be sure to avoid the tendency
to pike at the hips and stick out the butt; shoulders hips, and knees
should always be aligned.


Push-ups
Push-ups
should be performed flat on the ground, supported only by the hands and
feet. Do not arch the back (swayback) or pike (push your butt up in the
air). Each push-up should contact the floor with the chest at the
bottom and extend to a high hollow support with straight arms and
actively extended shoulders at the top.
Clap push-up
Clapping
the hands together at the top of the movement makes push-ups a very
dynamic athletic movement. The clap forces you to push aggressively to
get your hands off the floor. Adding a chest slap or clapping behind the
back will further increase the dynamic requirement.
Incline Push-up
Moving
the feet onto a raised surface increases the load on the arms. Raising
the platform gradually is an excellent way to progress toward handstand
push-ups.


Handstand push-up
The
first full bodyweight push-up. An individual should be able to hold a
20-second handstand against a wall with shoulders fully extended before
attempting handstand push-ups. You can start with your feet against a
wall to remove the balance requirement; practice these both facing the
wall and with your back to the wall. Maintain a good straight, tight
handstand position at all times. Once you can perform five to ten reps
on the wall consistently, begin working them without a wall.
Freestanding handstand pushups are an incredibly powerful stimulus, as
they require rapid firing of shoulder stabilizers while maintaining a
relatively heavy and dynamic load.

Pseudo planche push-up
Start
with a standard push-up, but move the hands farther back under the body
toward the hips, which increases the load on the arms. As you get
closer to placing your hands directly under your hips, you will notice
your feet beginning to slide on the floor. This is an indication that
little of your weight is being supported by your feet. Eventually your
feet will be able to come completely off the floor - though this will
take most people years to accomplish.


Handstand shoulder shrugs
This
is an excellent drill to you learn to activate your shoulders. With a
spot or against a wall, get into a handstand. Then, shrug up and down
using only your shoulders. Keep your arms completely straight, and try
to achieve as much movement as possible in your shoulders.


Core
"Core
strength" has become a marketing term for numerous commercial fitness
programs. The great majority of these programs, however, are focused on
developing a "six-pack," not on developing a strong, functional core,
and they are often inadequate even for that goal. Torso strength and
stability are crucial for athletic endeavors. Having the ability to keep
your midsection tight and to powerfully alter midsection positioning
improves your power output and control in almost all functional and
athletic movements.
Sit-up
Good old-fashioned sit-ups are
an excellent way to strengthen the abs and hip flexors. There is some
lack of the functionality in the sit-up movement on totally flat ground,
as a flat surface does not allow most people�s abs to properly engage
at the beginning of the movement. A rolled-up towel, or one of the
commercial products designed for this purpose (such as an AbMat) can be
placed under the lower back to avoid this limitation.
Sit-ups can
be done with the feet anchored or not. Having the feet anchored
generally increases the rate at which sit-ups can be performed, which
intensifies the metabolic demand but also shifts the recruitment more to
the hip flexors. To take the hip flexors out of the movement and
require the abs to do the work, put the soles of your feet together,
with knees splayed out to the sides, an AbMat or similar support under
your lower back, and roll smoothly up into a fully upright sitting
position, with no jerking in the motion.
To change the load on
sit-ups, you can do them on an incline or decline, similar to push-ups.
You can also alter your arm position to adjust the difficulty of the
movement. Keeping the arms by the sides is easier, while keeping both
arms straight overhead, by the ears, is more difficult. Holding weight
at the chest or overhead further increases the demands.

N-up
An
N-up is a sit-up type movement in which the upper body and legs come
together into a tuck. At the top point of this movement, you will be
sitting, with only your butt touching the ground, knees to the chest,
and torso upright.


V-up
A
V-up is like an N-up except that the legs are kept straight throughout
the motion and the arms are extended straight overhead throughout the
movement. Aim to be fully extended at the bottom and completely
compressed at the top, with chin to shins and fingers to toes.

Tuck-up
Lie
on your back and then lift your knees toward your chest aggressively so
that you roll back into a tuck with your lower back off the floor.

L-sit/V-sit
L-sits
can be performed on the ground, with legs extended straight in front of
you and hands flat on the floor on either side of the legs. This
requires a conscious effort to push the shoulders down to lift the body
high enough to perform the L on flat ground. You can also do a straddle
L, with hands on the ground between your legs. Progressions to the L-sit
are discussed in
Parallette Training - Volume 1.
Hollow rock
The
starting position is lying on the back in a hollow. A hollow position
for this purpose is one in which the pelvis is turned under (i.e., tail
tucked), legs are lifted slightly off the floor, lower back is touching
the ground, head and shoulders are lifted slightly off the floor, and
arms are held by the ears, off the ground. From this position, rock
smoothly back and forth, keeping the body tight, the hip angle constant
(no piking of the hip), and the lower back rounded. Any thumping in the
motion shows that the hollow position has been compromised, which
indicates that the trainee�s abs are not strong enough to keep the
pelvis turned under in this position. Continued training will alleviate
this deficiency.




Hollow hold
Start
in a push-up position. Then slide your hands forward until you are in
an extended hollow position with just your hands and feet on the floor.
When first starting this exercise, it is OK to pike significantly,
keeping your butt high in the air. The key is to get the shoulders
completely open. Once this position has been obtained, you can begin to
extend your hips and approach an open hollow position. As you build
strength in this position, point your toes so that you are supported on
the top of your feet. A rolling device can be connected to the hands
and/or feet to increase the demands and to allow for movement in and out
of the position.


Advanced leg lift
Start
by lying on your back with your legs straight. Place each hand on the
floor, palm down, just under each respective gluteus. While keeping
hollow and looking at your toes, lift your legs. Just before your legs
reach vertical, extend your torso should to lift your lower back off the
floor. The top point of this move is the position known as a
"candlestick."


Arch-up
Start
by lying on your stomach on the floor. Lift your legs and chest off the
floor then return to a prone position. Make sure your heels are
squeezed together throughout and your legs are kept straight, as this
increases the demand of the movement.


Standing leg lift
Hailing
from ballet training, standing leg lifts strengthen hip muscles while
increasing active ROM. Start standing, either holding onto a stable
object or freestanding. Then lift one leg as high as you can (keeping
base leg straight ... not like photo..). Keep the lift controlled and at
a moderate pace so it is a lift, not a kick. Keep both legs straight
the whole time, and the torso aligned. Do not lean in any direction. The
leg lift can be performed to the front, to the back, and to the side.



Side conditioning
Start
by lying on your right side, using your left hand on the floor in front
of you for balance. From this position, lift your legs and shoulders
simultaneously and then return to the start position. Repeat on the left
side.


Arch rock to hollow rock
Lie
on your back in a hollow position, perform a few hollow rocks, and then
roll sideways onto your stomach, without touching the ground with
either your hands or your feet. Then perform a few arch rocks and roll,
again without hands or feet touching the ground, back onto your back.
This sequence can be repeated to cover distance, or back and forth in a
small area.
Leg lift straddle-down
Start on your back in a
hollow and lift your legs to vertical, then straddle both legs out to
the sides and swing them down to the start position. Then reverse the
motion, straddling the legs in the hollow, bringing your legs up to
vertical, and then lowering them, feet together, to the start position.



Rear leg lift
Start
lying on your stomach. Lift one leg up the back as high as you can and
return to the start position in a controlled movement. Legs should be
kept straight throughout.

Hip adduction
Lie
on your right side and lift your left leg as high as possible and
return to start position. Keep both legs straight throughout. Repeat on
left side.
Hip abduction
Lie on your right side with your
right leg on the floor and extended in line with your body, and your
left leg bent, with the left foot on the floor in front of your hips.
Then lift your right leg as high as possible (inner thigh toward the
ceiling) and return to the start position in a controlled movement.
Squats, jumps, and sprints
You
can't be a CrossFitter for long without learning the fundamental
importance of frequent, well-executed unweighted squats (detailed in
CrossFit Journal issue 4). There are numerous no-equipment variations
that build on that foundation.
Pistol
A single-leg squat.
While holding one leg out in front, perform a full squat with the other
leg. This movement will be quite difficult and will require assistance
for most people at first. Holding onto a stable object will allow you to
perform the movement properly and gradually wean yourself of the
support. A stretch band or stretch tubing can also be used for
assistance. With the stretch band secured to an object overhead (such as
a pull-up bar, for example), you can grab the band with one hand for
stability and support. As you get stronger in this movement you can grab
the band at a lower point to reduce the assistance or use a
lighter-weight band. As with regular squats, pistols can be performed
with a jump at the end, including a jump onto a raised surface.
Pistol roll
Starting
from a stand on one leg, squat down, roll onto your back into a
candlestick position (high on your shoulders with both feet pointed
toward the ceiling), and then roll forward to single-leg stand again.
The raised foot will never contact the ground. It is important to
maintain proper squat technique as you squat and return to standing.
Many people will try to lean forward over their foot and allow their
heel to rise off the floor, which can lead to injury.






Squat jump
Perform
a squat and then explode upward to jump as high as you can. This is a
very aggressive, dynamic movement. This should be performed only by
trainees who have a good bodyweight squat, since doing squat jumps
improperly can be hard on the knees. Increase the challenge and
motivation by jumping onto a raised object. The height of the object can
be increased incrementally as your power improves.
Sequence jump
Bound
across the ground in a series of two-footed jumps, making each jump as
explosive as it can be and minimizing contact time with the ground.
Think of punching through the ground with your legs. Actively anticipate
the ground and start driving with your legs slightly before impact, so
that you bounce immediately into the next jump. Objects or lines can be
used to set targets or a course and to make the movement a challenge or
competition. This exercise should not be performed on pavement because
of the impact involved.
Short-distance sprints
Repeated
short-distance sprints are an excellent training modality. The metabolic
demands are high and the loads on the legs are limited only by the
trainee�s motivation. Place two lines 12 to 30 meters (40 to 100 feet)
apart. Sprint from one line to the other, rapidly changing direction at
the line. To add variety, add another movement at each line, such as a
push-up, v-up, or any other exercise.
General movements
Burpee
To
do a burpee in its most basic form, start from standing, squat with
your hands on the floor, and jump your feet back to put you in a prone
position with straight arms (as at the top of a push-up). Then bring
your legs forward into a squat again and return to standing. This basic
version is also sometimes called a squat thrust. Several modifications
can be made to the burpee to increase its demands: add a push-up in the
prone position, add a jump at the end as you return to standing, perform
the burpee under a bar and jump up to do a pull-up in each rep, etc. Be
creative with burpees and see what variations you can come up with.
Jumping Jack
Most
people have done jumping jacks in a PE class at some point. They are an
excellent way to warm up, and they can be included in a conditioning
set either as a station where fatigued muscles are allowed to recover
while metabolic demands are kept high, or as a significant component of a
metabolic conditioning circuit. Jumping jacks should be practiced both
with arms and legs in concert (legs straddling while arms are swung
upward) and in opposition (legs straddling while arms are brought down).
Mountain climbers
Start
in a prone position with hands on the floor and arms straight, as if at
the top of a push-up. Then pull each knee in to your chest in a rapid
alternating pattern.


Handstand and press handstand
Handstand
and press handstands are excellent exercises for developing strength
and kinesthetic awareness. Technique and progressions are described in
depth in CFJ issues 17 and 43.
By Roger Harrell.